Wednesday, April 2, 2008

Jalsa Nine points success formula

1.Trivikram has scored good marks for his dialogues.

2. No competition from other star's films- Good Muhurtam

3. Summer Holidays-

4.Fans are satisfied with Entertainment

5. Audio hit additional advantage

6. Annayya Chiru cinemala Gap

7.Political tempo is additional advantage.

8.First half of the film has got more favorable talk

9. Political Mega Power Stamina=Jalsa Craze, keeping Megastar political entry, Politicians entered to book the theatres.

Finally Fans are happy and satisfied with the film.

Kantri releases with annadanam to poor

NTR & Hansika starring Kantri is all set release on 30th April worldwide with maximum number of prints. Meher Ramesh who was the associate of Poori Jagannath is directing his first Telugu film Kantri. Manisharma’s music is already rocking the music market

Aswini Dutt is planning the release of Kantri in different style- with Annadhanam program at every theatre that is going to release on 30th April. (Free meal to Poor people)

Mahesh Babu’s Introduction dialogue in Jalsa.


'Yuddham lo Gelavatamu ante Satruvuni Champtam kaadhu….Satruvuni vodinchina vaade nijamaina Yodhudu…alanti naa snehithudu Sanjay Sahu…'

Jalsa breaks the records of Sivaji.

Yes, Jalsa is breaking the records of South Indian Super Star Rajini Kanth’s Sivaji records. The film Sivaji was released in 850 theaters worldwide.

Now Power star Pawan Kalyan’s Jalsa was released in 1000 theatres today worldwide. The film is getting very positive talk and the film is likely to break the collection records of Sivaji, if it so, the film will set new records in the south Indian film industry in collections.

Ramcharan teja and megastar together?

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Chiruta Ram Charan wants to share the silver screen with his mighty father it seems.

Charan expressed his wish to Chiranjeevi and also suggested him to do work outs and keep the body fit, so that Charan could act as younger brother to his father in some film.
Chiranjeevi said that he was inspired by Charan words and started working on his fitness. “I also changed my food habits to keep my body in shape”, Chiru added.

“If someone comes up with a good script we are ready to act together” Chiranjeevi said. Let us hope that a film with this mega dad and son combo happens very soon.

MS Raju to produce Sadhu with NBK?

Director Gunashekar who is known for big budget films is joining another lavish producer MS Raju to make a huge budget film Sadhu. Nandamuri Balakrishna will play the title role.Gunashekar and MS Raju together have produced blockbuster like Okkadu. Now this combination is coming together to deliver a big hit for NBK.

Balayaa said to have nodded his approval for this big budget film and formal announcement of this film will be made on 10th May, which happened to be the birthday of MS Raju.

Taraka ratna to marry Rajanikanth's daughter

Tarakarathna- Mohana Krishna’s son is likely to get married before November this year. And his parents are looking for a bride for Tarakaratna.

Now the latest filmnagar rumors say that talks are on between the families of Tamil Super star Rajini Kanth and Nandamuri Mohan Krishna. If this rumor is true, Rajinkanth’s daughter Soundarya will marry Tarakaratna.Tarakarathna is doing films likely Mikkanti and Venkatadri with director Samudra right now.

Allari Naresh as Blade Babji

The titles of his films are as colorful as his filmi characters and his latest film is not an exception to that rule. In the direction of Devi Prasad, Allari Naresh will be portraying the title role of Blade Babji in producer Mutyala Satyakumar’s under-production film. With almost 80 percent of the shooting completed this comic caper will be ready to entertain the audiences in a couple of months. The film co stars Sayali Bhagat in the lead and has Ruthika and Kausha in a special item number

JALSA REVIEW - first half 4/5 second half 2/5

Rating: *** (***** Very Good, **** Good, *** Fair, ** Average, * Bad)

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Introduction:

Jalsa, which ripped out huge expectations thanks to the heavy promotional strategies, including a Game show, doesn't offer much entertainment as promised in its title. Pawan Kalyan, after a long time, came with Kushi-like mannerisms. Racy stunts, similar songs and music for all numbers, scenes shuttling between the hero and villain, sporadic comedy is all about Jalsa. Levels of entertainment are just average, and will disappoint those who watch movie with its title in mind.

Synopsis:

Sanjay Sahu (Pawan Kalyan) hails from a poor rural family at remote village in Karimnagar district . His brother dies of heart disease as a child. His father commits suicide as crops fail and his mother too is no more soon. While going to burial ground, he repeatedly slips and swoons at a stone pillar. He plucks it out, which enrages the henchmen of a land-grabber Damodar Reddy (Mukesh Rishi). When they attack him, Sahu beats them to near-death, and disappears into a forest and joins the naxalites. During a combing operation, Sahu and a police officer (Prakash Raj) meet each other and become good companions under strange circumstances. Sahu comes to Hyderabad and duly rehabilitated as a college student. The police officer's younger daughter Bhagi aka Bhagmati (Ileana) falls in love with Sahu. However, the cop is not willing to sing his daughter's marriage with Sahu, whom he thinks as a carefree youth without commitments. Meanwhile, Damodar Reddy is out on a vengeance mission against Sahu, as his lands are distributed among the rural poor by the naxalites. Now, the police officer wants to get his daughter married to a decent young man (Sivaji), but he soon realizes that he is none other than the younger son of Damodar Reddy. How does Sahu accomplish the task of undoing Reddy's attacks and winning the hand of Bhagi? It forms the climax.

Performance:

Pawan Kalyan steals the show from the start to finish. He shoulders the entire responsibility of doing something now and then to create the mood of Jalsa. However, his characterization suffers from reaching a full dimension. The hero falling in love with the elder daughter of a police officer and later asking the same man to give his younger daughter might sound funny, but is a blot coming to hero's characterization. After the interval bang, everybody expects some serious action on the part of the hero, but it turns non-serious further and further. In all there are three heroines – Ileana, Kamalinee Mukherjee and Parvati Melton. All of them are strictly limited to oomph-less glamour, with some saving grace from Ileana. Parvati Melton looked too heavy besides Pawan Kalyan. Mukesh Rishi played the hardcore villain of the piece. But, his villainy is dramatic. Prakash Raj appears as a police officer (SP) in funny shades. Sivaji as usual did a small role as a bridegroom. You have comedians – Sunil, Brahmanandam and Ali. But, there is no scene to tickle our ribs. Just deliberate comedy!

Technical Details:

Story is weak from the start to finish. There is no justification to the title Jalsa. Screenplay is fragile, testing the patience of the audience, yet with three-hour duration. While first half rolls down with some simple comedy and dramatic scenes, the second half turns out and out action-packed for no good reason, except the personal rivalry between the hero and villain.

Mahesh Babu's voice over is good but rendered waste. Coming on three occasions, the voiceover becomes a major deviation. Though it is used in a serious tone, the episodes and the happenings later do not match the tone.

Dialogues are average. The hero refers to the name of Chiru on a couple of occasions aiming his verbal attack against the henchmen of his rival. He also sings the song – Nenu Saitham. At the interval bang, his long dialogue delivery – taking deep breaths now and then – resembles of the actor's recent outburst in TV channels, targeting the corruption in society. There is a punch-less satire on the road conditions in the state at the climax.

Music by Devi Sri Prasad sounds the same from the start to finish, in all songs. The common audience will find it difficult to distinguish the songs by their numbers. Despite having three heroines, the romance factor is missing. In one particular scene, the hero kisses the heroine (Ileana) unromantically.

Stunts are good but routine in all sequences. The episode, in which the hero plucks the stone pillar and attacks the baddies, is a good watch, packed with emotion too.

Comedy is weak. Brahmanandam's role turns miserable and gives a painful touch instead of evoking comedy – with unbearable teasing by the hero. The Sunil-Ileana-Dharmavarrapu episodes are dramatic.

Final Verdict :

The film is released to a average talk. There is no justification to the title Jalsa.But this film is pawan's best film after khusi.



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